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INFO - POET LAUREATE II

Poet Laureate II

de Canibus / pe Rip the Jacker / an 2003

VERSURI - POET LAUREATE II

Yo, why is the Ripper so ill? //

That would be an unpardonable breech of confidence for me to reveal //

He said, “One of these days all eyes will be on me //

When they look up in the sky and see the neon ‘C’ //

Rhymes inscribed on a nickel disk encased in a glass with an ion beam for longevity //

For more than ten centuries, impressions and memories //

The first time-machine inventor will mention me //

Canibus was a visionary indeed //

He believed light could travel in multiples of c //

The organic supercomputer that solved the mysteries of Klein-Kaluza with two blue metric rulers //

Liked Cool J but thought Steven Jay Gould was cooler //

And he never liked to propagate rumors //

Smoked Canary Island cigars //

Liked American luxury cars and beautiful Asian broads //

He had a strong mind //

He used to philosophize about rhymes while he was pruning his bonsais //

He claimed that he had written the greatest rhyme of all time //

But he would never take it out of his archives //

He wrote two songs per day //

And was constantly experimenting with his wordplay //

In his youth he did a report on the Sloan Digital Sky Survey //

He got a ‘F’ but he deserved an ‘A’ //

I followed his career from the first day //

It seemed the lack of support contributed to his inert ways //

I’ve seen him put in twenty-four hour workdays //

With deferred pay, undeterred by the worst shame //

Public humiliation was the worst pain //

He was spinning out of control like a class five hurricane //

He said he wouldn’t want another emcee to suffer the same //

Especially when there’s nothing to gain //

He was the illest alive but nobody would face it //

He spit ‘til his tongue was too torched to taste it //

Properly funded corporations Carbon-dated his latest creations //

To extract the information, they found it utterly amazing //

They claimed the body of his work was the same thing as a priceless painting //

Never mattered to him the art galleries hated him //

Cause Thomas Kinkade called and said he would take ten //

Complete enigmas wrapped in puzzles encrypted in language //

With sound but without shape or signature //

Kept files in his garage on MS-DOS in a fireproof pod, we thought it was odd //

Outside there was a she'd with an Oppenheimer lock //

He apparently kept more wax than Madame Tussaud //

We were in total awe cause it blew our minds //

So many rhymes that were intricately designed //

He WAS poet laureate of his time //

And if you don’t mind I’d like to share some of his rhymes //

Alone in my room looking through the thirty-two X telescope zoom //

Adjusting the focus of the moon //

One should not assume the philosophy of David Hume is nothing more than a subjective conclusion //

What is the maximum field rate application? //

The runaway glaciation surrounding the ocean basin //

Affects the population fluctuation on a continuous basis but that’s just the basics //

The juxtaposition of Can-I-Bus’s position //

The precision of something no other has written //

Way above and beyond what was intended //

The unparalleled malleable enunciation of a sentence //

You didn’t go to college, obviously //

I can tell by your ungodly unintelligible terminology //

Your remarkable odyssey //

The rhyme’s at modest speeds when the brain orders the body not to breathe //

Your competency is not up to speed, you’re not in my league //

You couldn’t possibly be hotter than me //

Or oppositely at minus twenty-five degrees //

You’ll squeeze but the condensation makes rifle barrels freeze //

Allow me to speak figuratively, nigga please //

My intellectual property’s about the size of Greece //

Your counselor advised you not to speak //

My counselor advised me to keep rhyming until they stopped the beat //

In the words of Joseph Heller, “I learned how to write better,” even though it sort of irked me //

He said he didn’t understand the process of the imagination but he felt he was at it's mercy //

Which exploits my point perfectly //

And certainly reinforces the reason why nobody’s probably ever heard of me //

Couldn’t understand what I mean by ‘ill’ //

Lest you try to translate what I print to film //

This is the line of will, the circle of time, the cycle of eternity, the emergence of one line //

Academic phonetics render critics tongue-tied //

The personified dry humor of cum laude alumni //

A wise man sees failure as progress //

A fool divorces his knowledge and misses the logic //

And loses his soul in the process obsessed with nonsense with a caricature that has no content //

My style is masterful, multilateral, I could battle a fool and be naturally cruel //

Words of scorn are a disastrous tool, from an existentialist’s view I’m a better rapper than you //

Grab the mic and rip your physical fabric in two, my attitude is fucked up but admirable //

Different methods interpreted into different forms //

From entirely different perceptions and seen from different norms //

Not just spitting a poem, there’s much more involved //

There’s much more pieces of the puzzle for you to solve //

Forty-eight orders of mechanical laws //

And rays of creational cause enhance the cadence of my bars //

Maybe I am self-absorbed //

But that’s the effect, to find the cause you should ask my A&R //

Today is what it is but only because yesterday was what it was //

Permitting you’ve heard of Beelzebub //

A tale of demons and drugs, pissy drunk in the club //

With the DJ doing the needle rub, chances are you’d never see me, son //

Yeah, I know my name’s Canibus but I can’t help you if you need a dub //

I came to holler at some big booty bitches and listen to the speakers thump //

Where’d you get conceited from? I’m so nice on the mic they want to beat me up //

It’s deep as fuck, I ain’t seen it all but I’ve seen enough, really unbelievable stuff //

There’s a lot of times when I want to speak but I’m stuck //

I should leave this rap shit alone and kick my incredible rhymes in the privacy of my own home //

My imagination is my own, the liberty to speak freely lyrically on the microphone //

With a pen in my hand I bring motion to the Enneagram and become Can-I-Millennium Man //

Engrave my back with the Emperor’s Stamp //

Been spitting scientific rap since the seventeenth century began //

Trying to escape the wicked empire of Def Jam in the land where lyrics are bland and heretics hang //

Every warrior has an ax to bury, but he has to learn to discern between enemy and adversary //

I said to myself, ‘Germaine, this is insane, it’s suicide, it’s controlled flight into terrain” //

I fought to regain control the plane but went up in a ball of flames //

And got banned from the Hip-Hop Hall of Fame //

For two bars I kept hearing in my head over and over again //

It cost me everything //

I’m convinced now that more than the truth is at stake //

Where people create language that pretends to communicate //

Euphemisms are misunderstood as mistakes //

But it’s a byproduct of the ghetto music we make //

From an extroverted point of view, I think it’s too late //

Hip-Hop has never been the same since eighty-eight //

Since it became a lucrative profession there’s a misconception //

That a movement in any direction is progression //

Even though the potency of it lessens //

Big money industries writing checks to suppress the question //

And nobody gives a fuck no more //

No one goes to the bookstore ever since the confluence of Moore’s Law //

But I stay in the lab like Niels Bohr, his son Aage, Edward Lorenz and Leo Szilard //

Lyrically I took rap music and turned the knob //

To the right full-throttle and added panache //

Why would I argue with my own conscience over the truth //

That’s like me telling myself, “Don’t tell me what to do” //

Dialyses and analyses of battle emcees, sometimes I say things I myself can’t believe //

My lyrical is so skillfully elliptical, I can understand how it makes you miserable //

You wonder why I never let you play your beats for me? //

And why I keep my studio enshrouded in secrecy? //

You wonder what’s my infatuation with Alicia Keys? //

Canibus, why don’t you speak to me? //

Yo, I meant it when I said no one can shine on a song that features me //

That’s why I said it so vehemently //

You need to replace the hate with respect, I’m probably the best yet //

Poet Laureate! //

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